Tag: self

  • Love and fog

    I would like to make you a present of fog.
    This fog, surrounding us now.
    It makes our world small, hiding everything further than arm’s length,
    yet things disappear in it so softly and smoothly –
    there is no possible way to define the border,
    there is no horizon,
    there is no end.
    It is vague and cosy – a down-soft infinity.
    Join me.

    I would like to make you a present of this light,
    a sudden splash of colour in the fog,
    defining the piercing beauty of a tree-branch,
    its intricate form alone in a sea of shapelessness –
    the sudden joy of discovery.
    Gasp with me.

    I would like to make you a present of my world,
    of all that I learned over the years,
    patiently collecting shapes and colours,
    thoughts and feelings,
    moulding them together,
    creating something unique and precious.
    Look at me.

    But you can only have your gift returned so many times
    before you finally realise that this person REALLY doesn’t want a silver toast rack.
    And that a silver toast rack is all that you have to give.
    The fog condenses into tears on my cheeks
    and evaporates in the bright sunlight.

  • Monsters under-lit

    One of the main tasks of childhood is to learn how to deal with monsters.
    This is why dinosaurs are so fascinating for children –
    they are monsters, concrete and palpable.
    There is nothing human about them,
    they kill with teeth and claws, not words, greed and cowardice.
    They are easy, training monsters,
    a menace you can understand, a threat without ambivalence.
    What do you do if you meet a monster?
    Do you run?
    Do you fight?
    Do you train to be stronger than them?
    Do you learn to be smarter?
    After going to the Museum of Natural History
    and learning about T-Rex
    you couldn’t stop laughing:
    running around with your arms pressed into your sides,
    waving your hands feebly at chest-level,
    saying, ‘itty-bitty hands!’
    I think you chose the best option.
    I think you will be all right.

  • Walls

    Walls are designed to divide space.
    Here from there.
    Inside from out.
    Safe and familiar
    from dangerous and unpredictable.
    Me from you.

    I am walking up the winding staircase
    in an old castle.
    Castle walls are solid.
    Really solid.
    There is nothing metaphorical about them.
    They are rocks and bricks and mortar,
    built up over the centuries,
    fortified.
    These walls are very definite
    about keeping things out.
    They make me feel contained:
    warm, wooly-headed and slightly dizzy;
    like a sick bed –
    I am not at my best, but there is no need to be.
    The space of illness is small and manageable:
    eat, drink, sleep, stay alive…

    There is a light at the top of the staircase,
    it leads out onto the battlements.
    I am tired of climbing.
    The light at the top is too bright,
    the space – too large,
    the height – too vertiginous
    and I am already dizzy…

    I think I will sit here,
    rest
    and consider my options,
    half way between the dungeon and the battlements,
    well within the walls.

  • Nursery rhyme

    What are people made of?
    What are people made of?
    Pictures and words,
    Hopes and hurts,
    That’s what people are made of.

    What are people made of?
    What are people made of?
    Clothes and skin,
    Mind and machine,
    That’s what people are made of.

    What are people made of?
    What are people made of?
    Cultures and schemes,
    Mirrors and dreams,
    That’s what people are made of.

  • Self-portrait

    Who am I?
    Am I reflections of the world or the mirrors reflecting it?
    Where do I begin?
    What is inside and what is outside?
    Inside and outside of what?
    There is no one answering.
    I hope there is someone asking.

  • Choices

    There is always a choice.
    Even when the only remaining choice is to ignore reality.

  • Maya

    Observation changes the event,
    expression changes the thought
    but the event does not exist without observation and thought – without expression.
    Observation is an integral part of an event, as language is of thought,
    they give them their shape.
    Good and evil,
    mind and body,
    love and hate –
    they are just words
    simplifying the complexity of experience into language.
    And yet they determine who we are and what we do.

  • Coulrophobia

    Clowns – the soul of the circus.
    Not an act as such – a connection between the worlds.
    They engage our empathy and cruelty, provoke kindness and fear…
    Coulrophobia is translated as “the fear of clowns”, it means “the fear of self”.
    Tell me what makes you laugh and show me who you are.

  • Dusty mirror

    New day begins.
    You waken, bleary-eyed.
    You see the sheets.
    You turn.
    You see the ceiling
    with stripes of light and dark – 
    eternal battle, 
    its pattern etched on retinas from days
    and weeks, and years of repeat exposure.
    You move inexorably to your cup of coffee,
    unknowingly repeating the procedure
    of brushing teeth
    and putting on the clothes,
    glance in the mirror with routine regret
    and follow your daily train of thought:
    “It could be worse, but then, it could be better…”
    But suddenly the dusty mirror surface
    distorts the image of your face and room
    a little more than usual and you
    look once again.
    Your train of thought derailed,
    you stop and think –
    again.
    Realisation
    hits like a brick –
    you see the dusty mask
    you built through habit,
    layer upon layer
    of expectations, 
    making life routine
    and liveable.
    But underneath the mask
    the horrifying emptiness of space
    just barely warmed up by random motion
    is looking back with no intent or care.
    And then your body fills with acrid joy
    of life and thought,
    of you, against the odds,
    being occasionally self-aware.

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